I’m Colin, a graduating art director born and raised in Houston, Texas, now finishing up at Texas State. I got into advertising because I’ve always been drawn to the way a single image or idea can shift how someone feels about something. That pull hasn’t gone away. I focus on campaigns, brand identity, and visual strategy, and I bring the same obsessive attention to a can design as I do to a full campaign.
Long before briefs and brand decks, there were kids. Hundreds of them. Summers spent at camp, buzzing with energy and imagination, became the unexpected foundation of everything I do as an art director today.
“The best feeling in the world is creating something that makes a kid’s eyes light up.”
— Colin JulesWorking with kids taught me the most important thing in creative work: ask what excites people, then figure out how to bring it to life. Sitting with a group, asking them what they love, and spinning that into a game theme, a craft, an experience. That’s the same muscle I use when building campaigns. The audience changes, the stakes change, but the feeling doesn’t.
Coming up with ways to execute ideas that didn’t exist before, turning a concept into something real and tangible that someone can hold, feel, or be moved by. That’s what drives me. That thrill hasn’t gone anywhere. It just grew up. And so did we.
Resume, Colin Jules
Download PDFA dual-team carousel campaign, Athenian & Spartan editions.
The Problem
Camp Olympia's existing social content was skewing millennial, polished and nostalgic, but invisible to the teens they actually needed to recruit. The ask: rebuild the social identity from the ground up to speak directly to Gen Z campers and create genuine excitement around signing up.
Teens don't respond to "come have fun." They respond to belonging, and the fear of missing out on something that looks elite. Camp Olympia already had that thing: the Athenian vs. Spartan rivalry is a fiercely competitive tradition that older campers live for. The insight was hiding in plain sight.
Lead with FOMO. Make "being an Olympian" feel like an identity, not just a summer activity. Build a visual system with real team energy: two rival editions, each with its own color world and attitude, unified by structure. Make kids feel like they need to pick a side.
Campaign Platform
The Athenian carousel ran as a 3-part story on Instagram, building suspense slide by slide, from "There are campers" to the payoff: "and then there are Olympians."
Executions
The Instagram carousel was designed as the campaign's first move, a multi-slide drop that plays on the Athenian vs. Spartan rivalry. Each edition runs as its own parallel story: same structure, opposite colors, building tension toward the reveal. The format matches how Gen Z actually consumes content.
Team-specific jersey designs extending the campaign into physical merch, giving campers something to wear their allegiance.
Next Project
Wanna play? A full campaign bringing out the kid in every fan.
The Challenge
Round Rock Express saw a measurable decline in Thursday night game attendance compared to the previous year. The ask: dig into why fans weren't showing up, and create a campaign compelling enough to bring them back.
Young adult professionals weren't avoiding the game, they were missing a reason to go. Research revealed a gap: a space to unwind and connect that wasn't work or another bar night. Socializing as adults had quietly become hard. As kids, recess solved it every single day.
Make the ballpark feel like a playground. Adult Recess reframes Thursday nights as the effortless social event young professionals didn't know they needed, a place to mingle, meet people, and hang out. Bold playground energy and one simple ask: Wanna Play?
Campaign Platform
The Experience
Parked outside Dell Diamond on Thursday game nights, the Adult Recess ice cream truck was the campaign brought to life. Fans could walk up, grab free ice cream, and spin the Recess Wheel for a shot at winning exclusive Adult Recess gear.
The truck doubled as a photo op, an icebreaker, and a reason to arrive early. Nostalgic playground games, hopscotch, four square, chalk art, turned the plaza into a space where young professionals could let loose, meet people, and feel like a kid again.
Two colorways, navy home and cream away, both printed wall-to-wall with the campaign's playground iconography. Doodles, hopscotch grids, recess rules, and the #99 Playmaker name across the back.
The Collab
The Adult Recess campaign called for a beverage partner that understood the assignment, and BeatBox was the perfect fit. The collaboration reimagined the juice box, a true icon of childhood, as an adult-ready cocktail. Same carton. Same straw. Just 11.1% ABV.
The limited co-branded "Round Rock Redemption" flavor ran on Thursday nights only, extending the Adult Recess world into something fans could hold, photograph, and share. The juice box grew up. So did Thursday nights.
Next Project
Out-of-Home · Spec Campaign
The Problem
Dollar Tree wanted to show themselves as the brand that college students and recent graduates living paycheck to paycheck could rely on during the holidays. The ask: make Dollar Tree the destination for young adults who still want to celebrate when money is tight.
Life hits young adults with unexpected expenses constantly, a car repair, a surprise bill, rent creeping up. But Dollar Tree's prices never change. In a world full of financial chaos, that consistency isn't just convenient, it's genuinely comforting.
Lean into the humor. Create OOH ads that call out all the ways life financially wrecks you, then land on Dollar Tree as the one thing that will never let you down. Make Dollar Tree the punchline that always wins.
Campaign Platform
A spec OOH campaign for Dollar Tree exploring how the brand could own the value space, not through bargain messaging, but through bold, confident visual storytelling that makes $1.25 feel like a power move.
Shot for high-traffic billboard placements, the campaign speaks directly to everyday Americans who know the value of a dollar, and aren't ashamed of it.
Billboards, bus shelters, and OOH placements across three executions. Each ad leads with a single, punchy headline and an image that earns a second look, the kind of work that stops you mid-commute and makes you feel something about a dollar store.
Next Project
Austin Parks & Recreation
The Problem
Austin Parks & Recreation needed trail walkers and hikers at Zilker Park to donate to an "adopt-a-goat" program, where goats are deployed to eat invasive plant species that damage the park's ecosystem. The ask: make people care enough to fund it.
Hikers and trail users already love the park, they just don't see a goat as a hero. But reframe the goat as a soldier on a mission, and suddenly the whole story changes. People don't donate to conservation programs; they enlist in battles they believe in.
Reimagine the goats as soldiers fighting the war against invasive weeds. Build a campaign identity around military-style recruiting, trail signage, print ads, and digital that make donors feel like they're deploying troops to defend Zilker Park.
Campaign Platform
Austin Parks & Recreation's Adopt A Goat program uses herds of goats to clear invasive weeds along city trails, sustainable, chemical-free, and completely absurd in the best way.
The campaign needed to make people care enough to donate. We leaned into a war-effort tone, goats as soldiers on the front lines against weeds, irreverent, bold, and impossible to ignore.
Trail signage, half-page print ads, and digital banners, all carrying the same absurd-serious military energy. Every touchpoint pushed the war metaphor while keeping Austin Parks branding front and center.
Next Project
Wanna play? A full campaign bringing out the kid in every fan.
The Challenge
Round Rock Express saw a measurable decline in Thursday night game attendance compared to the previous year. The ask: dig into why fans weren't showing up, and create a campaign compelling enough to bring them back.
Young adult professionals weren't avoiding the game, they were missing a reason to go. Research revealed a gap: a space to unwind and connect that wasn't work or another bar night. Socializing as adults had quietly become hard. As kids, recess solved it every single day.
Make the ballpark feel like a playground. Adult Recess reframes Thursday nights as the effortless social event young professionals didn't know they needed, a place to mingle, meet people, and hang out. Bold playground energy and one simple ask: Wanna Play?
Campaign Platform
The Experience
Parked outside Dell Diamond on Thursday game nights, the Adult Recess ice cream truck was the campaign brought to life. Fans could walk up, grab free ice cream, and spin the Recess Wheel for a shot at winning exclusive Adult Recess gear.
The truck doubled as a photo op, an icebreaker, and a reason to arrive early. Nostalgic playground games, hopscotch, four square, chalk art, turned the plaza into a space where young professionals could let loose, meet people, and feel like a kid again.
Two colorways, navy home and cream away, both printed wall-to-wall with the campaign's playground iconography. Doodles, hopscotch grids, recess rules, and the #99 Playmaker name across the back.
The Collab
The Adult Recess campaign called for a beverage partner that understood the assignment, and BeatBox was the perfect fit. The collaboration reimagined the juice box, a true icon of childhood, as an adult-ready cocktail. Same carton. Same straw. Just 11.1% ABV.
The limited co-branded "Round Rock Redemption" flavor ran on Thursday nights only, extending the Adult Recess world into something fans could hold, photograph, and share. The juice box grew up. So did Thursday nights.
Next Project
Out-of-Home · Spec Campaign
The Problem
Dollar Tree wanted to show themselves as the brand that college students and recent graduates living paycheck to paycheck could rely on during the holidays. The ask: make Dollar Tree the destination for young adults who still want to celebrate when money is tight.
Life hits young adults with unexpected expenses constantly, a car repair, a surprise bill, rent creeping up. But Dollar Tree's prices never change. In a world full of financial chaos, that consistency isn't just convenient, it's genuinely comforting.
Lean into the humor. Create OOH ads that call out all the ways life financially wrecks you, then land on Dollar Tree as the one thing that will never let you down. Make Dollar Tree the punchline that always wins.
Campaign Platform
A spec OOH campaign for Dollar Tree exploring how the brand could own the value space, not through bargain messaging, but through bold, confident visual storytelling that makes $1.25 feel like a power move.
Shot for high-traffic billboard placements, the campaign speaks directly to everyday Americans who know the value of a dollar, and aren't ashamed of it.
Billboards, bus shelters, and OOH placements across three executions. Each ad leads with a single, punchy headline and an image that earns a second look, the kind of work that stops you mid-commute and makes you feel something about a dollar store.
Next Project
Austin Parks & Recreation
The Problem
Austin Parks & Recreation needed trail walkers and hikers at Zilker Park to donate to an "adopt-a-goat" program, where goats are deployed to eat invasive plant species that damage the park's ecosystem. The ask: make people care enough to fund it.
Hikers and trail users already love the park, they just don't see a goat as a hero. But reframe the goat as a soldier on a mission, and suddenly the whole story changes. People don't donate to conservation programs; they enlist in battles they believe in.
Reimagine the goats as soldiers fighting the war against invasive weeds. Build a campaign identity around military-style recruiting, trail signage, print ads, and digital that make donors feel like they're deploying troops to defend Zilker Park.
Campaign Platform
Austin Parks & Recreation's Adopt A Goat program uses herds of goats to clear invasive weeds along city trails, sustainable, chemical-free, and completely absurd in the best way.
The campaign needed to make people care enough to donate. We leaned into a war-effort tone, goats as soldiers on the front lines against weeds, irreverent, bold, and impossible to ignore.
Trail signage, half-page print ads, and digital banners, all carrying the same absurd-serious military energy. Every touchpoint pushed the war metaphor while keeping Austin Parks branding front and center.
Next Project
Lollapalooza
The Problem
Lollapalooza attendance stays strong. Presence doesn’t. The challenge wasn’t getting Gen Z to show up, it was getting them to actually be there. The phone comes out. The set becomes content. The moment becomes a post.
Gen Z is the most music-obsessed generation alive. They memorize lyrics, follow tour dates, spend real money on tickets. The painful irony: the thing they paid hundreds of dollars to feel in their chest is the one thing they’re least present for.
Lollapalooza doesn’t compete with social media, it reminds people why social media can’t compete with this. Position the festival as the last place where music hits you the way it’s supposed to. Not anti-technology. Pro-feeling.
Campaign Platform
Five posts across Instagram and TikTok. Single subjects, eyes closed, head back, fully absorbed, paired with oversized type. Hot pink base, emotional color auras. Every post ends the same: For Your Ears. Not Your Feed.
Type so large it breaks the frame. A single figure lost in the music, nothing else. The campaign’s visual language scaled to maximum aggression, then pulled down to street level.
A Bose partnership brings the campaign’s central idea to life inside the festival. No screens. No cameras encouraged. Spatial audio, a chair, and headphones that make the stage feel like it’s inside you.
Free-standing pods across Chicago in the weeks before the festival. One person at a time. Step inside, close the door. Sixty seconds inside a live Lollapalooza set.
Public Sale Tee
HEAR IT. FEEL IT. in the campaign’s graphic language.
Staff Tee, Bose Lounge
Worn by every Bose Lounge crew member.
Haptic Wristband
Distributed at entry, synced to the live audio feed, translating the music into physical vibration against the wrist in real time.
HEAR IT. FEEL IT. draws a line between consuming music and being consumed by it. Every activation, execution, and touchpoint ladders back to one idea: live music is a body experience that no feed can replicate.
The tagline FOR YOUR EARS. NOT YOUR FEED. gives the audience permission to put the phone down and just listen.
Social (5 posts) across Instagram and TikTok, OOH billboard and transit shelter, a Bose Immersive Sonic Lounge inside the festival, Sensory Pod city installations pre-festival, and a merch line including a public tee, staff tee, and haptic wristband.
Next Project
This one started with a TikTok. I came across a graphic of Erling Haaland, blue kit, blue panel, blue flowers, and couldn’t stop thinking about it. As someone who grew up loving soccer, I wanted to take that concept and build it into something bigger.
In Bloom is a self-initiated poster series featuring some of the most exciting players heading into the 2026 World Cup. Each poster pairs a player with a landmark from their home country and a color palette pulled directly from their kit. The result is a collection that is part sports design and part editorial art: monochromatic, intentional, and rooted in the culture each player represents.
No brief, no client, just a concept I wanted to explore and a sport I’ve loved my whole life.
Next Project